The pairing of James Ivory and Luca Guadagnino is not one I would have thought of myself. The two storytellers examine passion in such different ways. Guadagnino loves to mix in eroticism, he has a keenRead Full Review

Pixar is a genre onto itself, separate even from the rest of Disney’s animation enterprise. Their scripts are structural masterpieces, attune to the souls of children and adults alike. They’re the most consistently successful HollywoodRead Full Review

The mental landscape of Joachim Trier’s characters is frightful. Often they’re circumstances lead them into a depression. Medication, whether self-inflicted or otherwise, is a resort many of his characters take to. In Thelma, a young girl playedRead Full Review

At one point, near the middle of Sebastián Lelio’s latest film, A Fantastic Woman, the film’s main character, Marina Vidal, is referred to, pejoratively, as a chimera. She does not react to the odd specificity ofRead Full Review

Richard Linklater’s Last Flag Flying is about as good a movie can be with the acting talent it has. The film is based on a novel by Darryl Ponicsan (who co-wrote the script with Linklater) whichRead Full Review

The burden of Martin McDonagh’s new opus, Three Billboards Outside Ebbing, Missouri, falls on the audience, as is usually the case when the famed Irish filmmaker is involved. His plays and films are rife with traumaRead Full Review

Greta Gerwig’s Lady Bird has the kind of flaws that most first features have (this is Gerwig’s first solo directing credit). It tends to be representative of its titular protagonist, Christine “Lady Bird” McPherson – strong-willed,Read Full Review

The Marvel Universe has moved past self-consciousness and gone straight to parody. Five years ago, this version of Thor: Ragnarok would have been called “Phor: I’m a rock” and it would have been produced and directedRead Full Review

The kind of satire that Ruben Östlund is doing with his 2014 film Force Majeure and his newest film, The Square, strikes right at the heart of contemporary society. Force Majeure dissected the state of the standard binary family in aRead Full Review

Against my better judgment, I seem to always think Yorgos Lanthimos’ films are excellent. He’s incredibly meticulous in his dissections of human behavior. He seems completely infatuated with the seemingly casual cruelties that human beingsRead Full Review

To make a film as atypical as Wonderstruck just two years after making a film as masterful as Carol is, for director Todd Haynes, quite the cinematic stunt that isn’t getting that much attention. Haynes is aRead Full Review

Let’s start with the obvious: we’ve never actually needed a sequel to Blade Runner. Ridley Scott’s 1982 film is a moody noir that found its audience over time and after several different cuts. That movie hasRead Full Review

There’s always been a bit of amalgamation in Noah Baumbach’s work. At any point, his films can mimic the style Woody Allen or Francois Truffaut, his scripts could have the wry sense of humor of hisRead Full Review

Many artists claim to want to speak toward the common people, to display the struggle of our lower classes, to make a case against our rigged socioeconomic structure. Few filmmakers walk the walk the sameRead Full Review

John Carroll Lynch’s Lucky feels at times like a short film that’s running a bit too long. There isn’t much to the story. It stars Harry Dean Stanton as the titular Lucky, a 90-year-old atheist andRead Full Review

English film director Stephen Frears is one of the most dependable filmmakers in the world. In the 80’s and 90’s he made slick, provocative films like My Beautiful Laundrette, Dangerous Liasons and The Grifters. In the early 2000’s,Read Full Review

Outside of New York and Los Angeles, Hollywood films love no American city more than Boston. The New England area seems to show up a lot around Fall Movie Season, a favored symbol of American nobilityRead Full Review

The 1973 tennis match between Billie Jean King and Bobby Riggs is one of the most fascinating social occurrences in American history. A middle-aged retired tennis pro (Riggs) claims in strategically arrogant fashion that he could beatRead Full Review

Movie stars like Jennifer Lawrence don’t usually make films like Mother! and by that fact alone, this film is unique and interesting in a way. The movie came out on September 15th and in less thanRead Full Review

With back-to-back screenwriting successes like Sicario and Hell or High Water, it’s no wonder Taylor Sheridan would finally get a shot at directing one of his own screenplays. Wind River, his directorial debut, is a disappointing return onRead Full Review

Ingrid Goes West is a mental health melodrama cloaked as a social media satire. The film is such a treat because it functions well as both. As we’ve finally found a way to make ourRead Full Review

Good Time is an incredibly well-directed film, made by two directors that have a frighteningly strong grasp of the tone and effect of the story they’re trying to tell. A lot of this is the kindRead Full Review

Michael Winterbottom’s third serving of The Trip is more of the same, which is to say it is an absolutely delightful film, filled with hilarious riffs by its two stars, Steve Coogan and Rob Bryden. TheirRead Full Review

It’s important to note that screenwriter Mark Boal was unable to acquire the rights to John Hersey’s book “The Algiers Motel Incident”, and based his screenplay for Detroit on his own research – interviews and first-personRead Full Review

Girls Trip is aiming at a target so small, and so far away, that it’s a miracle that it is able to hit that target with such precision and grace. The film tries and succeedsRead Full Review

The audaciousness of Atomic Blonde – in its performances, its action set pieces, its hopelessly convoluted screenplay – is certainly endearing at moments. Cherlize Theron’s performance as an MI6 agent named Lorraine Broughton is thoroughly investedRead Full Review

Landline is the kind of narratively messy, tonally skelter New York City indie I can get behind. The film reflects its characters who are all exploring various modes of misbehavior, sometimes uncomfortably so. This isRead Full Review

I’m eternally fascinated by Christopher Nolan. He seems to connect the dots between the mainstream powerhouses of Steven Spielberg and George Lucas with the offbeat video generation of Quentin Tarantino and Steven Soderbergh; and heRead Full Review

It’s hard for me to know what to make of The Little Hours. It, at times, feels like the consequence of too much unchecked postmodernity. The film is unapologetically unhinged in its portrayal of human behavior.Read Full Review

A Ghost Story imagines paranormal activity in a way that is simultaneously childish and garishly adroit. The ghosts in this story appear as superficial, bed sheet-covered figures with comical eye holes that peek into nothing butRead Full Review

It’s easy to watch a film like The Big Sick and think that it’s probably too long, to punish it as another Judd Apatow-associated piece that lacks for editorial integrity. But that would actually be incorrect. TheRead Full Review

What a treat Edgar Wright’s films are. His movies are solid testaments to the enduring beauty of cinema and impressive exercises of formal expertise. His filmmaking is so precise and kinetic, it’s seemingly a miracleRead Full Review

There’s a certain swampiness to Sofia Coppola’s latest film, a deliberate humidity that the movie enforces upon the audience. Not since Lee Daniels’ The Paperboy have I felt so clammy. Both films take place in theRead Full Review

Trey Edward Shults has only been in the cinematic consciousness for a little over a year, after his first feature, Krisha, came out in the Spring of 2016. That film was so incredible in such a sharp,Read Full Review

At the end of Wonder Woman‘s first act, Gal Gadot’s superhero, Diana, is warned by Connie Nielsen’s Queen Hippolyta that the world of men is a treacherous place, and that “They don’t deserve you”. It’s notRead Full Review

Band Aid is getting a lot of good press because it was shot with an all-female crew. I couldn’t say whether this is actually the first film ever to do this (I would guess thatRead Full Review

It’s always been fitting that director Guy Ritchie’s first name was just the simple ‘Guy’. It’s made him the butt of a few jokes, but it really is such a perfect name for him. He’sRead Full Review

The second Guardians of the Galaxy film is fine enough. The main export that the first 2014 film had was a freshness separate from the other Marvel franchises, and comic book franchises in general. By theRead Full Review

What can I say about A Quiet Passion except that when I wasn’t bored into distraction, I was asleep. Star ratings aside, I don’t feel like any review I write about this film would be fairRead Full Review

James Gray’s latest mesmerizing film is a testament to the varying uses of white male ego, a piercing look at the glories and pitfalls of Western civilization’s colonial fascination. In an era rife with EuropeanRead Full Review

Martin Scorsese is a popular filmmaker because he has an innate sense of editing and timing, particularly with regards to tension and character; and also because he, for all intents and purposes, created the Soundtrack Movie. Now,Read Full Review

Colossal is the kind of movie that plays at Sundance and should never be allowed to make it out. The kind of movie that thinks that a catchy hook can pass for narrative, that quirkinessRead Full Review

In the last decade, Danny Boyle has become quite the sentimentalist. T2 Trainspotting is an exercise in nostalgia unlike any I’ve ever seen. The film is more successful as a run of fan-service vignettes designed toRead Full Review

The movie stardom of Kristen Stewart is a fascinating to examine. She’s spent this decade taking down the image of Twilight‘s Bella role by role, challenging herself as a performer again and again. Olivier Assayas’ Personal ShopperRead Full Review

The cinematic success of this seemingly endless diet of Hollywood recycling really depends on the degree to which these projects choose to have fun. There are moments when Kong: Skull Island realizes that, and when itRead Full Review

The biggest plot hole in these John Wick films is that people continue to challenge his willful capacity for violence and carnage. We all know how this story is going to end, so why don’t these otherRead Full Review

The opening sequence in Jordan Peele’s directorial debut is a powerful, single shot. A young man (played by Lakeith Stanfield) walks the dark, quiet streets of a seemingly calm suburb. Before long he’s being followedRead Full Review

Christopher Nolan’s Batman films aged incredibly fast. The shine had hardly faded from The Dark Knight‘s Oscar win before many were lining up to knock that film’s follow-up, The Dark Knight Rises, with claims of pompous pretension,Read Full Review

There is a sense of audacity in telling a World War II story with even a hint of German sympathy. Historical mythologies have encrusted themselves so feverishly to the point where its nearly impossible toRead Full Review