Month: November 2016

miss-sloane-movie

Miss Sloane ★★★

Miss Sloane aspires toward a place between Sorkinian intrigue and Mametian outrage, with acidic dialogue that dances the line between expertise and verbosity. The film is directed by John Madden who is a dependable, professional –Read Full Review

lion-movie

Lion ★★

Whether fair or not, Lion being distributed by the Weinstein Company carries with it a certain expectation. Again, fair or not, Lion will be labled as “Oscar bait” because of the reputation of the Weinstein brothers, twoRead Full Review

nocturnal-animals-movie

Nocturnal Animals ★½

Nocturnal Animals has two stories running concurrently with one another. Both are pieces of fiction, but one is a piece of fiction within the fiction of the film’s actual narrative. A visual artist (Amy Adams)Read Full Review

manchester-by-the-sea-movie

Manchester by the Sea ★★★★

Kenneth Lonergan is a kind of genius. There are more talented filmmakers formalistically, and there are screenwriters who have more power with words and how to use them, but there are so very, very few likeRead Full Review

arrival-movie

Arrival ★★★½

If you’re making a film about communication, it’s important to make a point about just how bad the human race is at it. On the surface, Arrival is nothing new. When the Earth is visited byRead Full Review

elle-movie

Elle ★★½

I’ve never quite grasped the films of Paul Verhorven. The sheer magnitude of his capacity for provocation has always seemed somewhat beyond me. I can’t manage to see much beyond the extreme images he’s puttingRead Full Review

loving-movie

Loving ★★★

Films like Loving are not supposed to be this quiet. At times, it feels almost aggressively understated. When placed under the weight of racial injustice, cinema usually has the tendency to aggrandize, fill itself with aRead Full Review