Josh Safdie is a stylist of the highest order. Until his latest film, Marty Supreme, he shared all directing credit with his brother Benny, and in less than a decade they did a great jobRead Full Review

Movies like The Rip used to be twice as good at half the cost. When streamers like Netflix decide to dip their toe in these mid-budget genre waters, it becomes readily apparent that so muchRead Full Review

Ever since his debut film, Reprise, in 2006, Norwegian director Joachim Trier has always had an interest in fusing the literary and the cinematic. He and his writing partner, Eskil Vogt, often utilize framing devicesRead Full Review

Even within the rich history of Iranian cinema, Jafar Panahi’s films stand out. His movies are often defined by the limitations of the production. As many filmgoers already know, the Iranian government imprisoned Panahi inRead Full Review

Josh O’Connor is a hard-working man. He gained attention in the 2017 indie film God’s Own Country before gaining mainstream awareness in his Emmy-winning turn as Prince Charles on  Netflix’s The Crown. Since then, he’sRead Full Review

Since experiencing the online ridicule and corporate betrayal that was The Last Jedi fallout, filmmaker Rion Johnson has only directed Benoit Blanc mysteries. He’s also, of course, written and directed two seasons of Poker Face,Read Full Review

Looking at the arc of Noam Baumbach’s career, it’s been pretty fascinating to watch the evil boomer dads that headlined his scripts in The Squid & The Whale and The Life Aquatic with Steve Zissou,Read Full Review

One may look at the premise for Blue Moon – a real-time dramedy about Lorenz Hart monologuing against the dying light – and feel it’s too constrained; better set for the stage than for theRead Full Review

Richard Linklater is a filmmaker defined by his refusal to be defined. He’s one of the most beloved figures of the 90s indie revolution, but has proven quite capable of producing good Hollywood films. He’sRead Full Review