There were rumblings last year when darling indie distributor A24 put out into the trades that they were beginning to look into more mainstream, commercial projects. In a little over a decade, they’ve put out someRead Full Review

At just 30 years old, Saoirse Ronan has already established a sterling reputation as an actor who can “do anything”. Nominated as an adolescent for her precocious performance in Atonement, she’s only capitalized on her potential inRead Full Review

This year marks fifty years of Saturday Night Live on NBC, a live sketch comedy show that has survived dynastic political and cultural shifts, wild fluctuation in performance talent, and endless accusations of being “not funnyRead Full Review

It’s kind of a miracle that a film like A Different Man – an elliptical, analytical film the persistently prods it’s audience with moral and ethical questions – can also be such a compelling drama. OurRead Full Review

Will & Harper is a film going for a broad audience and delivering mass messaging. Its cause is righteous and its motivations pure. The movie’s premise is simple: two longtime friends, one of which hasRead Full Review

The journey of Megalopolis to the screen is astonishing. So much so it almost feels impossible that it would produce a mediocre film. Yet, here we are. Francis Ford Coppola called his shot in 2020, in anRead Full Review

Imagine, if you will, a movie for children that truly captures the full scope of everything that cinema has to offer, that doesn’t condescend to them with immature humor or overprotect them by hiding painful realities.Read Full Review

If there is one thing that stands out about the Cannes hit The Substance – well, apart from how gross it is – is it’s blistering rage. French filmmaker Coralie Fargeat does not have the inclinationRead Full Review

Filmmaker Jeremy Saulnier wears a lot of hats in Rebel Ridge. He’s the writer and director, the producer, and the editor. He’s certainly not the first person to do all of these things on his movie,Read Full Review

The implacable tone of an Azazel Jacobs film – comedies tinged with melancholy, where moods swing inconsistently and dollops of surreality pierce the heightened exterior – is a very difficult balancing act. So difficult, inRead Full Review

It’s been over thirty years since the last Victor Erice film. Considered to be among the greatest Spanish filmmakers of all time, his latest, Close Your Eyes, is only the fourth film he’s ever made. HisRead Full Review