Lovers Rock

If the first installment in Steve McQueen’s Small Axe series (Mangrove) was a tense procedural, the second is a loose dance party. Literally. A collection of people, ranging from teenager to young adult, meet in aRead Full Review


Happiest Season

Harper Caldwell, played by Mackenzie Davis in Happiest Season, is a Christmas person. She enjoys holiday rituals, gaudy home decorations, and white elephant gift exchanges. A major aspect of the Christmas person’s life is the Christmas movie,Read Full Review


Hillbilly Elegy

J.D. Vance’s memoir Hillbilly Elegy kicked off a literary trend in 2016 of nonfiction books meant to reconcile the plight of lower class whites in America. These books were liberal olive branches to poor white communities, ravagedRead Full Review



If you feel like the disparity between movies and television has shrunken, then Steve McQueen’s Small Axe series is a stunning example of it. The series is composed of five feature films, independent from one another inRead Full Review


The Life Ahead

Keeping track of all the clichés used in The Life Ahead can be tiresome. Perhaps, you could turn it into a drinking game, if you wanted to add a dose of excitement that you certainly wouldn’tRead Full Review


On The Rocks

The dynamics of a complicated father-daughter relationship lay at the heart of Sofia Coppola’s latest film, On The Rocks. On the one end, we have a beacon of New York City liberal motherhood played by RashidaRead Full Review


Borat Subsequent Moviefilm

Shock value, in and of itself, isn’t Sacha Baron Cohen’s main interest, though his notorious interviews often leave his subjects hapless and compromised in ways that can make your jaw drop. Exposing hypocrisies throughout theRead Full Review


The Trial of the Chicago 7

The reason historical period drama is such a popular prestige genre is that it can be either nostalgic or aspirational, pleasing a broad audience no matter what their predispositions may be. That is true of The TrialRead Full Review


Dick Johnson is Dead

Attention is Kirsten Johnson’s specialty. Her 2016 film, Cameraperson, was a masterpiece of attention, a collection of footage shot over a decades of a career as a documentary cinematographer. Johnson called the film a memoir, a life’sRead Full Review



Near the beginning of Tesla, the film’s narrator quantifies Nikola Tesla’s legacy in its simplest terms: through its Google search results. He has over thirty-four million results, we’re told, including a multitude of variations on the same fourRead Full Review



MLK/FBI is being broadcast virtually as part of the 58th New York Film Festival, and was available to rent and stream through the virtual theater at the Film Society at Lincoln Center The declassification of FBI filesRead Full Review


Le bonheur

Films as dark and subversive as Le bonheur are not usually so beautiful. Drenched in a rich, chromatic palette and played to the tune of twee renditions of Mozart (played by Jean-Michel Defaye), the third feature fromRead Full Review



The characters in Sátántangó are used to persevering through brutal conditions. The rain never stops, the sky a permanent overcast grey which promises no hope for warmth or light. Their homes are crumbling and dilapidated, their belongingsRead Full Review


I’m Thinking of Ending Things

Without the filter of directors like Spike Jonze and Michel Gondry, the screenplays of Charlie Kaufman can have an unfiltered quality, as the despair so central to his stories becomes much less palatable. Directing his own scripts,Read Full Review


Cane River

The restoration and re-release of Cane River in 2018 brought independent director Horace B. Jenkins’s film to many who had not heard of it before. Jenkins’s death in 1982 occurred shortly after the film was finished, which stuntedRead Full Review


An Elephant Sitting Still

Place Hu Bo among the ranks of the tragic artists, the ones lost well before we were prepared to see them to go. An Elephant Sitting Still is his only feature film. He committed suicide in 2017Read Full Review


Young Ahmed

The tenderness of the films from the Dardenne brothers are usually contrasted by worlds offset by calamity. Their characters are often forced into inherently unfair circumstances that are made worse by their suspect judgment and poorRead Full Review



The human race has a fraught relationship with the natural world. We have taken much more than it was ever meant to give. We’ve given ourselves rules, and placed ourselves in a society to maintainRead Full Review


First Cow

The opening image of First Cow is of a massive cargo ship gingerly easing its way down a peaceful river. The ship itself is not peaceful, it’s loud and lumbering, but it’s far enough away toRead Full Review


Mr. Arkadin

Stories that circle behind the production of Mr. Arkadin are deliciously Welles-ian. An unfinished film, pieced together by the cineastes who adored him, with a convoluted plot that is rescued by inventive filmmaking. What more canRead Full Review


The Truth

Familial tensions abound throughout the films of Hirokazu Kore-eda. Children are often suffering the burdens of disgruntled parents, as the pride of adulthood grinds uncomfortably against the pure innocence of youth. The Truth is his firstRead Full Review


Palm Springs

Palm Springs has an exquisite first act. If you’ve happened to watch the trailer for this film then you already know the movie’s big reveal, but caught unawares, the first ten minutes is especially effective.Read Full Review


Merry Christmas, Mr. Lawrence

Aside from being one of the preeminent rock stars of the Twentieth Century, David Bowie proved to be a rather talented actor. His roles are few – on several occasions, he was simply asked toRead Full Review


Never Rarely Sometimes Always

“Are you abortion minded?” This question is asked early in the film Never Rarely Sometimes Always by a middle-aged woman at a women’s clinic in Northumberland County, Pennsylvania. The question is being posed to a seventeen year-old named Autumn (SidneyRead Full Review


The Watermelon Woman

An experimental filmmaker by trade, Cheryl Dunye’s feature debut, The Watermelon Woman, has very little interest in perpetuating mainstream filmmaking sensibilities. Her fusion of documentary and narrative, as well as her inclusion of metafictional aspects should alienateRead Full Review


Eight Hours Don’t Make a Day

In about thirteen years, Rainer Werner Fassbinder directed over forty feature films before dying of a drug overdose at the age of thirty-seven. This doesn’t include his ambitious television projects which includes that gargantuan Berlin Alexanderplatz,Read Full Review


Da 5 Bloods

Watching Spike Lee’s movies, you can see that he views film history as a legitimate form of American history. Consider the way BlacKKKlansman opens with segments from Gone With The Wind, extolling the power of cinema while alsoRead Full Review


The Lovebirds

A common refrain you may find yourself saying while watching The Lovebirds is “Why isn’t this funnier?”. You won’t ask this maliciously, after all, you have a lot of goodwill towards its two stars, Issa RaeRead Full Review


The French Lieutenant’s Woman

The legend of Streep having grown to such gargantuan proportions, she’s come to represent a very mainstream version of excellence. People think of her as an actress the way people think of Steven Spielberg asRead Full Review


Taste of Cherry

The words “In the name of God” open the film Taste of Cherry. It’s a modest but forceful title card that appears before we see any action. Not that there is a lot of action in theRead Full Review



The human tensions in Mike Leighs films far outweigh the political ones, though that doesn’t mean that there is one without the other. His characters are so often wrecked by implacable restlessness, worn out by theRead Full Review


Only Angels Have Wings

Masculinity and moral codes abound in the filmography of legendary director Howard Hawks, and Only Angels Have Wings has tied both tightly within the film’s plot, influencing and often encouraging the characters. The script, by veteran JulesRead Full Review


To Be or Not To Be

Considering the polarizing response to Jojo Rabbit less than a year ago, you’d probably think that To Be or Not to Be would be perhaps a bridge to far for audiences sensitive to dark comedy involving NazisRead Full Review


The Music Room

One of the many joys to be found in the films of Satyajit Ray is his ability to delve into the humanity of his characters without judgment. His style is clear and aspires toward objectivity,Read Full Review


Bad Education

Bad Education premiered on HBO Sunday night, 4/26/20. It is now available on HBOGo and HBONow. There was controversy when HBO snatched up Bad Education in the bidding war that followed its successful premiere at lastRead Full Review


Battleship Potemkin

Sergei Eisenstein’s association with evolution in film editing is well-chronicled. He and his Soviet peers established the foundations of “montage” as a technique to rouse emotion within the audience, and Battleship Potemkin is often sighted as Eisenstein’sRead Full Review

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Lady Macbeth

In a short amount of time, Florence Pugh has shown herself to be a multifaceted talent as an actress. In half a decade, she’s shown an incredible range from her Oscar-nominated Amy March in Little Women,Read Full Review


Eyes of Laura Mars

Camp has always been difficult to tie down. Even minds as renowned as Susan Sontag have had their studious definitions called into question by those who prefer to use the eye test – “You knowRead Full Review


Daughters of the Dust

It may seem strange today – it certainly surprised me – to learn that Daughters of the Dust was, in 1991, the first feature film ever directed by a black woman to receive a theatrical releaseRead Full Review



“I’m never serious about anything.” – Warren Beatty as George Roundy in Shampoo Set on the day of the 1968 Presidential Election, Shampoo gives itself the benefit of hindsight. Released in 1975, the film’s characters traverse acrossRead Full Review



The ascension of a midnight movie comes from hitting that sweet spot between bubbling self-awareness and dismissive carelessness. People will make themselves blue arguing as to whether camp can be self-aware, or to what level it shouldRead Full Review



A trademark of European cinema from the 40’s through the 60’s is its expansion of cinematic forms, but even the word ‘expansion’ often feels limiting. Through expansion, filmmakers in countries like Italy and (most famously)Read Full Review



Bacurau is currently streaming on Kino Now as part of their Kino Marquee Virtual Arthouse Program, which allows you to pay a rental fee which goes toward an independent movie house of your choice. IRead Full Review


The Draughtsman’s Contract

1982’s The Draughtsman’s Contract would kick off a fruitful decade for director Peter Greenaway. The muralist turned director, renowned for his strict formalist style and provocative themes, would be among the 80’s most celebrated and most polarizingRead Full Review


The Way Back

I don’t necessarily believe that Ben Affleck is an underrated actor. To the degree that his judgment can be questioned when accepting roles like the ones he chose in films like Gigli or Paycheck, I’m not sureRead Full Review



The wits of Jane Austen have graced the movie screen so often, you’d imagine the works have perhaps gone stale. After all, her body of work is not vast as say Shakespeare or Stephen King,Read Full Review


The Traitor

There’s a degree to which The Traitor understands how the movies have a large responsibility toward the connection people make between Italians and organized crime. In telling the true to story of Tomasso Buscetta (played wonderfullyRead Full Review


The Assistant

Labelling Kitty Green’s The Assistant as a ‘#MeToo Movie’ suggests that her latest film is somehow attached to a trend as opposed to a glaring document of longstanding tradition. The film takes place in a ManhattanRead Full Review


Decent Maybe Awards for 2019

Best Director Gold: Quentin Tarantino, Once Upon a Time… In Hollywood Silver: Joanna Hogg, The Souvenir Bronze: Robert Eggers, The Lighthouse Best Actress Gold: Alfre Woodard, Clemency Silver: Elizabeth Moss, Her Smell Bronze: Jennifer Lopez, Hustlers Best Actor Gold: Antonio Banderas, PainRead Full Review