Against my better judgment, I seem to always think Yorgos Lanthimos’ films are excellent. He’s incredibly meticulous in his dissections of human behavior. He seems completely infatuated with the seemingly casual cruelties that human beingsRead Full Review

To make a film as atypical as Wonderstruck just two years after making a film as masterful as Carol is, for director Todd Haynes, quite the cinematic stunt that isn’t getting that much attention. Haynes is aRead Full Review

Let’s start with the obvious: we’ve never actually needed a sequel to Blade Runner. Ridley Scott’s 1982 film is a moody noir that found its audience over time and after several different cuts. That movie hasRead Full Review

There’s always been a bit of amalgamation in Noah Baumbach’s work. At any point, his films can mimic the style Woody Allen or Francois Truffaut, his scripts could have the wry sense of humor of hisRead Full Review

Many artists claim to want to speak toward the common people, to display the struggle of our lower classes, to make a case against our rigged socioeconomic structure. Few filmmakers walk the walk the sameRead Full Review

John Carroll Lynch’s Lucky feels at times like a short film that’s running a bit too long. There isn’t much to the story. It stars Harry Dean Stanton as the titular Lucky, a 90-year-old atheist andRead Full Review

English film director Stephen Frears is one of the most dependable filmmakers in the world. In the 80’s and 90’s he made slick, provocative films like My Beautiful Laundrette, Dangerous Liasons and The Grifters. In the early 2000’s,Read Full Review